Synoptique has just released their latest issue “Locating the Intimate within the Global: Xavier Dolan, Queer Nations and Québec Cinema” (4.2), another solid publication featuring Concordia Graduate and Doctoral students amongst a host of other scholars! Kudos to the entire Synoptique team and everyone involved in this issue!
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Table of Contents
Introduction Kester Dyer, Andrée Lafontaine, Fulvia Massimi
“A Boy’s Best Friend is His Mother”: Québec’s Matriarchy and Queer Nationalism in the Cinema of Xavier Dolan Fulvia Massimi
Les voix queers dans Mommy de Xavier Dolan Jason R. D’Aoust
Pouvoir et déclin de l’intime: Films postréférendaires, identité genrées et identité sexuelles Julie Ravary
Conceptualizing Quebec Cinema: Denys Arcand’s Cycle of Post-Referendum Films as Case Study David Hanley
Interview with Bill Marshall Kester Dyer, Andrée Lafontaine, Fulvia Massimi
Lectures croisée et piste réflexions autour de Laurence Anyways: intervention de Christina Brassard, Katrina Sark, Angela Urrea et Mariana Gil-Arboleda Christina Brassard, Katrina Sark, Mariana Gil-Arboleda, Angela Urrea
The True (Homonational) North, Strong and Free Clinton Glenn
The Lure of an Ever-Elusive Global Melodrama Meredith Slifkin
Digging up a Decade: Unearthing the Relevance of 1940s Horror Justin H. Langlois
Confused Auterism: What has Adoor Gopalakrishnan Got to Do With it? Parichay Patra
On Heroines, High Heels and Hierarchies: Challenging the 68th Festival de Cannes’ “Year Off” Bradley Warren
Cinemalaya 2015: A Decade of Philippine Independent Cinema Adam Szymanski
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